Barbara Kruger’s 1985 offset lithograph piece Untitled (We Will No Longer Be Seen and Not Heard) hangs above a sofa in the living room.
Untitled (Head), Set I, a Jean-Michel Basquiat screen print, hangs behind a Harold M. Schwartz oak table and Milo Baughman end chairs in the dining room. The chandelier is by Serge Mouille.
In the living room, a substantial teak-root cocktail table from Michael Dawkins Home and a Bacon sectional from Meridiani sit atop an alpaca hide from the Rug Company. The artwork between the windows is Adam Pendleton’s Harvest 3,000 Years #2, a 2014 silkscreen on stainless steel.
In the master bedroom, two Shepard Fairey Eye Alert silkscreen prints from 2010 hang above an Angelo Mangiarotti Multiuse bookcase and a teak Pedro Friedeberg chair.
On the bed, an Hermès Avalon throw in tan coordinates with a Tuyo High Stripe headboard from Meridiani.
In the kitchen, a Yayoi Kusama–painted pumpkin vies for attention with a series of vintage opium skulls.
The master bathroom features a custom brass vanity with a black granite counter.
The master bathroom’s tub surround and shower are made of Spanish travertine marble and the chrome fittings are from Dornbracht.
In the guest room, vintage carved wood side tables and Paix table lamps by Aerin flank an RH bed; three screen prints from Josef Albers’s 1962 series “Homage to the Square” hang above.
Next to the window, Robert Longo’s 1988 lithograph Meryl hangs behind a vintage chair from Homenature; the American walnut Cobra media unit is from Organic Modernism.
