In 1977, New York City was on the brink of bankruptcy, and its infrastructure was crumbling. That same year, sculptor Louise Nevelson presented her vision for a chapel at East 54th Street and Lexington Avenue. First National City Bank and Saint Peter’s Church had just established a first-of-its-kind condominium, and together the unlikely pair set out to redevelop an entire city block, with the Nevelson Chapel at its heart.
Today, Nevelson’s champions and supporters have created a Legacy Council to restore the chapel’s physical and artistic integrity and ensure its safekeeping for years to come, anchored by a $5.75 million campaign. The only remaining art environment created by Nevelson that is entirely intact and inhabitable, the chapel is a testament to her mastery of light and shadow and unparalleled sense of space and movement. It is her gift to New York City.

Behind the chapel’s renewal is a largely unsung upgrade to the infrastructure. Led by architect Jane Greenwood of Kostow Greenwood Architects, a team of engineers, lighting designers, and sustainability specialists have updated the HVAC system to meet museum-quality temperature and humidity standards, swapped a new LED-lighting system for the failing original, and implemented a plan to replace doors, hardware, windows, and a skylight. Meanwhile, Nevelson’s intricately crafted wooden wall sculptures, nicked in places and bearing discolored or flaked-off paint, are being carefully restored by art conservators. Visitors to the chapel can catch a glimpse of the work in situ, in addition to participating in events celebrating Nevelson’s legacy.
At the time of the chapel’s construction, Nevelson said, “If people can have a moment of peace and carry it with them in their memory banks, then that will be a great success for me.” The success of this restoration effort is nothing less than passing on that moment of peace to the future.