he dining room includes a suite of Le Corbusier beechwood chairs from Thonet; the dinnerware is from Restoration Hardware. Homeowner Anita Hoffman’s mother, Bella Vogel, did the painting of the house as it looked in 1968.
The white seating pieces in the living room are from B&B Italia; the ceiling fan is from Hunter Douglas.
A collection of vintage farm tools hangs in the hallway.
The Salsa sofa and love seat and the Risom Amoeba coffee table in the family room are from Knoll. The two upholstered chairs are from B&B Italia and the sisal rug is from Merida Meridian. The high-back yellow chair with pink legs and the birdhouse were painted by one of Hoffman’s granddaughters.
The house’s façade today and in 1968, when it was photographed by Ezra Stoller.
A chrome and canvas LC4 lounge chair from Cassina and a side table by Eileen Gray inhabit a windowed corner of the master bedroom.
The house’s façade today and in 1968, when it was photographed by Ezra Stoller.
Peter Stamberg and Paul Aferiat flank Anita Hoffman.
This view from the rear of the house reveals its fully expanded form. Richard Meier designed the original two-story central portion, which dates from 1968.
Anita Hoffman found herself wanting to add more space, new windows and stuco to replace the original siding to her Hamptons home. So she approached Richard Meier, who graciously suggested she give the job to architects Peter Stamberg and Paul Aferiat.
