Barry Flanagan’s The Boxing Ones is one of many sculptures on the grounds of the couple’s home.
In the entry hall, David Easton–designed benches flank an antique pedestal table purchased in London.
In the living room, a mixed-media work by Sigmar Polke overlooks seating pieces covered in Clarence House fabrics, a python-clad Karl Springer coffee table, and a rug from Stark.
A Teddy Millington-Drake painting amplifies the entry hall.
Ceramic tiles create an X-shaped motif in the breakfast room.
Audrey Gruss collects Chinese export porcelain, some of which is displayed in the foyer.
Jean Dubuffet’s 1965 Personnage hangs at the end of a hallway.
Lee Krasner’s Bird Image and a Willi Siber sculpture add bold strokes to the dining room, which features chairs upholstered in a Scalamandré fabric and a Patterson Flynn Martin rug.
In the master suite, Christopher Spitzmiller lamps flank a Baker four-poster bed dressed in Sferra linens.
The sitting area’s armchairs are covered in a Brunschwig & Fils check, and the curtains are fabricated from an Old World Weavers textile.
Caning accents the walls and vanity in Audrey Gruss’s bathroom.
The ladies’ powder room features a Phillip Jeffries grasscloth, a Stark carpet, and a 17th-century painting of a Dutch girl playing golf.
Tobacco-leaf wall panels in the gentlemen’s bathroom complement a burlwood-framed mirror.
The flower-arranging room is conveniently located adjacent to the cutting garden.
Tony Cragg’s 30-foot-high stainless-steel Elliptical Column also lines the driveway.
Edwina von Gal designed the property’s grounds.
The grounds feature a show stopping path of ‘Annabelle’ hydrangeas leading to the pool house.
A cutting garden is planted with lisianthus and cosmos, among other flowers.
A David Harber sculpture made of stainless steel and river rocks overlooks the pool.
