Beth O’Donnell and her dog, Venus, take five outside her art studio, a 600-square-foot prefab structure by Morton Buildings.
The living room features beaded armchairs from Nigeria and a Kenyan coffee table constructed from beached dhow wood. Ostrich eggs are housed beneath its glass top.
In the main hallway, pillows fabricated from African Kuba cloth top a banquette.
Decorative Indian mahogany doors from the late 1800s beckon in the entryway; the bar dates from the 1930s.
In the dining room, Kenyan leather safari chairs and slipcovered seating from RH surround a table fashioned from an Indian bed.
The kitchen features a Wolf range and hood.
Artworks line the main hallway and study.
The bent-twig fan-backed chairs on the back porch are from Mexico.
The master suite is outfitted with numerous seating areas for enjoying vistas of Larkin Pond or reading by the fire, such as a wood-and-cane daybed from India.
Belgian linen–topped built-in benches.
A wall in O’Donnell’s studio is dedicated to her latest mixed- media work: encaustic, oil, and ink on Japanese rice paper.
